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Posts Tagged ‘neil young

the owl, the albatross, and the dodo

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blyth-croft-road-crofton-mill

It was about the beginning of September, 1664, that I, among the rest of my neighbours, heard
in ordinary discourse that the plague was returned again in Holland; for it had been very violent
there, and particularly at Amsterdam and Rotterdam, in the year 1663, whither, they say, it was
brought, some said from Italy, others from the Levant, among some goods which were brought home
by their Turkey fleet; others said it was brought from Candia; others from Cyprus. It mattered not
from whence it came; but all agreed it was come into Holland again.  
 
Daniel Defoe
Journal of the Plague Year (1722) 
 
 

‘How, aa wuz blaan away by meetin’ ya marra,’ Eric said. ‘Aa towld wor young ‘un and he waadn’t believe it. Ee thowt aa waas just mekkin’ it up! But aa towld him whaat he looked like an’ aall that an’ ‘ee believes iz noo. It waas him, waasn’t it?  Ya marra iz the real McCoy, isn’t ‘ee?’

‘Oh yes,’ I said. ‘He is certainly the one and only Owen Vardy, late of the much feted minstrel troop who went by the good name of Proudlute.’

‘Aye, that’s whaat aa telt wor young ‘un,’ Eric said. ‘That ya marra waas definitely the blowk oot of the Proodloot.  The lads at the Prymeeaa cannit believe aa’ve met him. Nor can aa. It’s like a miracle for someone who’s been on Top of the Pops to be in Eshinden, yuh knaa whaat aa mean? There’s ownly one thing that waald ‘ave been more amazin’ than meetin’ ya marra. D’yuh knaa whaat that waald o’ been?’

I looked at him and shrugged. I wondered if it wouldn’t have been an audience with George Herbert himself, author of The Country Parson and important early metaphysical poet.  I said I didn’t know.

‘To meet that Peter Andre,’ Eric replied, with an implied ‘obviously’. ‘Yuh knaa the one that’s married to hor wi’ the massa bazookas. Ur, yuh knaa, whaat’s aa name – Jordan. D’yuh knaa we aa mean?’

I nodded. ‘Yeah, I know them,’ I said. ‘I mean Peter and Katie – I know Peter and Katie.’

‘Whaat? Yuh knaa them as weell?!’ Eric exclaimed, his celebrityphilia obviously allowing him to get the wrong end of a fairly short verbal ambiguity. ‘Is it through ya marra? Does he knaa them from when ee wuz in the Proodloot?!

‘No, Eric,’ I said. ‘I don’t know them in that sense. I know who they are, that’s all.’

‘Ur, aa see whaat yuh mean,’ Eric said, palpably crestfallen. For a moment a dream egg beyond his wildest imaginings had been hatching before his very eyes, the possibility of meeting the legendary Peter Andre. For now Eric would have to do with Owen.

‘Here,’ Eric said, abruptly, putting his hooked finger in the air. ‘Ur, aye, whaat was it again? Eh, ur, aye, eh, hing on.’

At that point Eric stopped dead, his pirate pose frozen, like someone playing Statues. His face became expressionless, his eyes stared blankly into an invisible void. It was as if yet again someone had thrown the switch on his neurological systems. He stood as still a gravestone. And then suddenly life re-entered him.

‘Ur, aye,’ he said, as if no time at all had passed, ‘ya marra nivva met that Sam the Sham and the Pharoahs, did ‘ee? Yuh knaa, them whaat did the Woolly Bully an’ that.’

‘No,’ I said. ‘I don’t ever recall Owen mentioning them at all, oddly enough.’

‘That’s a pity,’ Eric said. ‘They were mint.’

For a minute or so Eric again seemed absent, as if ruminating in an unseen life world perhaps. You’ll have realised by now that is something that often happens with Eric. I was about to wander off when he spoke again.

‘Here,’ he said. ‘Hing on, er, whaat waas it again? Ur, aye, the swine flu and aall that. Whaat d’yuh think of that?’

I shrugged. Before I could give an opinion however, Eric decided to give me his.

‘Aa think the telly’s got it aall wrang, divvent ‘ee? Wor young ‘un knaas someone who’s been to Mexico and tha’s nowt the matter wi’ hor.  Aa mean, ‘ee says she’s got a caald an’ aall that, but nowt weird. D’yuh knaa whaat aa think? Aa think tha’ mekkin’ it up?’

‘You don’t think swine flu exists?’

‘Nur. Whey, hoo waald a human porson catch a pig disease? Hev yuh ivva hord of a pig sneezin’ or hevvin’ a snotty nose? Aa mean, hoo can a pig hev the flu? The flu’s a human disease. Aa mean, the pig would hev to tek paracetemol and aall that!’ Eric laughed, his face lit up like the man in the moon.

‘So what about bird flu?’ I said. ‘Do you believe in that?’

Eric’s systems briefly shut down again, as if he might be downloading something from an external site.

‘Aye, aa dee,’ he eventually replied. ‘Aye, an’ aa’ll tell yuh whaat, aa think the bord flu is warse than this pig one, d’ye not?’

‘Worse? What do you mean by worse? That it’ll kill more people?’

‘Aye. Aa’ divvent think this pig flu’s ganna kill anybody ower here, d’ye? Aa mean, we’re not like Mexicans, are wuh? Hoo can English folks catch a disease off pigs?’

I nodded. ‘Who knows?’ I said. ‘But sooner or later they’ll be right. Sooner or later nature will bite back. But I think you’re right, swine fever might not the one.’

We live in apocalyptic times.  We wait for the hurricane. We wait for the fire. We wait for the plague. But for some of us we’ve already been waiting too long. We’ve got apocalypse fatigue. While most of the world intermittently runs around in blind panic, the prospect of the end of the world bores some of us now. We don’t feel inclined to believe it. Or maybe we just don’t feel inclined to care. And this is more or less exactly how the end will come – and more or less exactly why.

Tristan called along on Thursday night to pick up a box of sunglasses. Margaret was out when he arrived. I invited him in while I looked for the box. De Kooning arrived to give him the once over.

‘What’s your cat called?’ Tristan said.

‘De Kooning.’

‘Hello, De Kooning,’ Tristan said, stroking him beneath the chin. ‘Aren’t you beautiful? My name’s Twistan and I’m vewy pleased to meet you.’

‘So how’s tricks with you and Brenda, Tristan?’ I asked.

‘Oh pwetty good, I think,’ he said. ‘I think we’re getting there.’

‘It’s her birthday next week, isn’t it? Have you got her anything special or have you agreed you’ll just have to tighten your belts his year?’

‘I’ve got her something special,’ Tristan said. ‘But it wasn’t expensive. I think maybe I misjudged her in the past. I think she weally does know it’s the thought that counts.’

‘So what have you got her, then?’

‘An enamel keywing. An owl. It’s weally nice.’

I nodded. ‘An enamel owl keyring, eh? Are you sure Brenda will think this is what she wants? I mean, in what way is it special?’

‘One of Bwenda’s hewoes is the Gweek goddess Athena. Athena’s the goddess of wisdom and I think a kind of wole model for Bwenda. When her business gets bigger and there’s more than one thewapist she’s going to call it Athena Associates. The owl is Athena’s sacwed bird and it’s going to be the symbol of Bwenda’s company. That why this keywing is so special.’

‘Oh, I see. So Brenda sees herself as a sort of wise owl and your gift recognises that wisdom, eh? Clever stuff. You obviously have put a lot of thought into choosing it. ’

‘Yes, I have. I wanted to get her something that said something to her, that has a deep message fwom my heart to hers. You know Bwenda does have a good heart. I know sometimes she seems theatwical and shallow and self-obsessed and pweoccupied with her own needs, but behind that façade there weally is a genuine person. A weal person.  I know sometimes she imagines she’s the bloody owacle or something, but maybe she weally does have something to give others that can help them. Do you think?

I shrugged. ‘Maybe. I just like the idea that Brenda can see in the dark and that she somehow resembles an owl. I’d never noticed that before!’

‘I think maybe that’s the idea of Athena’s owl,’ Tristan said. ‘That it’s a voice that can help us to choose the wight diwection in life. Fweedom is a dark dark fowest, my fwiend. We all need a voice like that sometimes to wemind us where we’re going, to guide us along the wight path.’

‘And so you reckon the enamel owl keyring will keep her happy, do you?’

Tristan nodded. ‘Bwenda’s moved on, my fwiend. She weally has. She’ll be thwilled with her pwesent.’

‘I hope you’re right,’ I said. Of course a little bird in my head was telling me he probably wasn’t.

‘I love birds,’ I said. ‘So does De Kooning, of course. For me, freedom rather than wisdom or capriciousness or  pestilence is what birds symbolise.  Because they can just come and go as they please. They can always fly away. Their presence is always a sort of beautiful gift. Their absence is always a possibility. If you had to choose a bird to represent yourself, Tristan – like Brenda has chosen the owl – what would it be?’

‘I dunno, mate,’ Tristan said. ‘It wouldn’t be an owl, though, that’s for sure. I’m not that wise. Twotsky was intewested in birds, you know. He famously said “The nightingale of poetwy, like that bird of wisdom, the owl, is heard only after the sun is set.”  He’s making a wefewence to Hegel’s wemark about the owl of Minerva, of course.  But I digwess.  So what bird would I see myself as? Maybe it would be a pawwot. Because I weally do need to learn hold my tongue sometimes. I can’t sing, so I couldn’t be a nightingale. I guess it would have to be a bird on a long journey, an albatwoss perhaps. What about you?’

‘I don’t know either,’ I said. ‘A dodo, maybe, or a cuckoo!’

Tristan laughed. I gave him the box of sunglasses and he gave De Kooning’s black fur a final quick ruffle before he went on his way.

‘Good luck with the keyring,’ I said as he walked down the garden path beneath the gently fluttering spring birch leaves.

‘Don’t wowwy, mate,’ he replied. ‘She’ll be over the moon, I pwomise you.’

I sat in the conservatory with De Kooning for a while, drinking a cappuccino and flicking through The Guardian. Gordon’s in deep doo-doo, and it seems to be doo-doo that gets deeper every day. How he must now long for those days when life was simple and all he had to do was try to get his clock to tick more quickly.  Tristan had remarked that Gordon better beware of assassins and coups. Tristan reckons the long knives will be out for him now.

When Margaret came in I told her Tristan had been and collected the sunglasses.

‘Good,’ she said. ‘It’s nice to see he can do something right.’ Margaret’s tone told me there was a whole conversation going on that neither I nor Tristan knew anything about. Brenda was nowhere near as happy as Tristan believed, it seemed.

‘Has he got her a birthday present yet?’ Margaret asked.

‘Yes,’ I said. ‘He has. Strangely enough he was just telling me about it.’

‘Good,’ Margaret said, tersely. ‘Let’s just hope it’s something nice. He really does need to make her feel special once in a while. God knows she does enough for him.’

I nodded. ‘Yeah,’ I said. ‘I think Tristan does want her to feel special. I think that’s why he’s got her what he has. He’s obviously put a lot of thought into it.’

‘I don’t want to know what it is,’ Margaret said. ‘So don’t tell me. I just really hope he doesn’t let her down this time.’

I was pleased Margaret didn’t want to know what Tristan had bought Brenda for her birthday. I wasn’t quite sure I wanted to let the enamel owl keyring out of the bag yet.

It was getting dark. Margaret was chopping onions. I was going to go for a walk but for whatever reason I couldn’t be bothered. I made myself another cappuccino and began to think about which part of Blyth I wanted to paint next. I’m torn between concentrating on Newsham and doing a series of old pubs in Blyth. The Kings Arms in Cowpen is the oldest building in the town and I thought maybe I should do that next. Or maybe I should do the Willow Tree and the Black Diamond first. I began wondering how many pubs there still were in Blyth and if I should map them all before I decided which one I should paint next.

On Friday morning I arrived at the office late. On one of the chairs in reception there was a copy of Neruda’s Selected Poems. There was a lad in his late teens with a shaven head and a stud in his upper lip sitting on the chair opposite. He was wearing white nylon track top and pants and big white trainers.

‘Is this yours?’ I said, picking the book up.

‘Nah,’ he said, shaking his head. ‘It belongs to one of them Zorrs. He’s in there talking to one of the social workers.’

‘Thanks,’ I said. I took the book and went through to the team room.

‘Are Mandy and Mr Zee in?’ I said to Lily.

‘Yeah,’ she replied. ‘They’ve been getting funny phone calls again. Debs is in with them.’

I flicked through the book and came across Neruda’s poem Bird. I probably wouldn’t have read this one in particular – or even noticed it – had my week already not been so punctuated by avian references.

It was passed from one bird to another,
the whole gift of the day.
The day went from flute to flute,
went dressed in vegetation,
in flights which opened a tunnel
through the wind would pass
to where birds were breaking open
the dense blue air –
and there, night came in.

When I returned from so many journeys,
I stayed suspended and green
between sun and geography –
I saw how wings worked,
how perfumes are transmitted
by feathery telegraph,
and from above I saw the path,
the springs and the roof tiles,
the fishermen at their trades,
the trousers of the foam;
I saw it all from my green sky.
I had no more alphabet
than the swallows in their courses,
the tiny, shining water
of the small bird on fire
which dances out of the pollen.

When I came down from my office at about lunchtime Owen was in the team room. He was wearing a thin brown cotton jacket, almost like the sort that a store keeper might wear. It hung on his bony frame like a slowly collapsing tent. He had just been in a meeting with Michelle and was passing time until his bus was due. I told him I’d been talking to Eric and that he’d said how blown away he’d been to meet him at last. Owen smiled, suppressing his elation.  Celebrities do that sometimes, I think. It’s paradoxical. It makes them look all the more remarkable for seeming all the more normal by being modest.

‘He said there was only one other famous person he’d have wanted to meet more,’ I said.

Owen frowned, curiously. ‘Oh,’ he said. ‘Who? No, no. No, let me guess.’ He gazed at me, narrowing his eyes and giving this issue deep thought. ‘Was it Leonard Cohen?’ he finally said.

‘No, Owen,’ I said, raising an eyebrow. ‘This is Eric we’re talking about here.’

‘Oh yes, Eric, eh? Okay’ He paused again. ‘So was it Neil Young?’

I shook my head slowly, emphatically.

‘No.’

‘James Taylor?’

I continued to shake my head. Owen looked perplexed, non-plussed even.

‘I’ve absolutely no idea, then,’ he said. ‘Give me a clue.’

‘Okay,’ I said. ‘I’ll tell you exactly what Eric said to me when he was trying to remember this person’s name. He said it was the bloke who was married to “hor wi’ the massa bazookas”.’

Owen flinched a little, as if a Jack in the Box had just popped out beneath his nose. He then frowned a distinctly different frown, a frown of disapprobation. For a minute he looked like he was about to suffocate. He shook his head mechanically. It was going to difficult for him to answer now even if he knew. There are some things about a woman a man like Owen can’t admit he’s even noticed. 

‘Peter Andre,’ I said. ‘The guy that’s married to Jordan?’

Owen looked vaguely appalled. ‘Peter Andre? Eric would rather have met Peter Andre than me? Really?’

‘No,’ I said. ‘No, I was only joking. He actually said Chubby Brown.’

‘Did he?’ Owen said. ‘Chubby Brown? Oh my God! I’d have preferred Peter Andre!’

‘Well, there you go. So it’s not that bad after all, is it? It was Peter Andre. Chubby was a joke.’

‘Chubby is a joke,’ Owen quipped. A part of him was obviously beginning to feed off the better bits of being second best to Peter Andre. It’s often a consolation in life if when you lose you focus on those people you’ve beaten rather than those who turned out to do better than you. There’s nothing worse than seeing yourself as a swan and being beaten at the bird show by a turkey. There I go again. I seem to have birds on the brain these days.

Owen then began to tell me another story about Jack. It seems Tallulah has recently taken part in an amateur production of Moulin Rouge, and that she’d brought some pictures of the show into the office. One or two of them apparently revealed her in a red silk basque, pink feather boa, black fishnet tights and black stilettoes.

‘You should have seen Jack’s eyes,’ Owen said, leaning forward and looking around as if to be sure no-one was eaves-dropping. ‘They looked like they were going to pop out of his head!’

‘How could you see them?’  I said. ‘He didn’t take his sunglasses off, did he?’

He did!’ Owen said, his face for a moment assuming the expression of a monkey that had just bitten into a lemon. ‘Between you and me,’ he went on, ‘I think he is descending into depravity. His lechery was undisguised. Utterly undisguised.’

‘So did you see these pictures too, Owen?’ I asked.

‘Yes, of course,’ he said. ‘Oh they were truly shameless. You could see all of Tallulah’s legs and everything. I will grant Jack this, of course: she should never have brought such pictures in. Never. She’s as much to blame as he is, in that sense. But her mistake was only an error of judgement, albeit a fairly grave one. She certainly isn’t depraved.’

‘Was she embarrassed by you and Jack looking at the pictures?’ I said.

‘Embarrassed? Tallulah? No, I don’t think so. I certainly hope not. Well, to be honest I don’t know. She must have been embarrassed when Jack asked her if he could have an enlargement of one of them for his wall. Any woman would. But Tallulah was very good, very controlled and professional, and didn’t let it show.’

‘Just as well,’ I said. ‘It sounds like she let just about everything else show.’

Owen looked as if he was hovering on the brink of panic. ‘Oh, look at the time,’ he said, as if gripped by a sudden urgency. ‘I must fly. I really must. My bus is almost due.’

I wandered back upstairs. There were a pair of collared doves sitting on the sill outside my window. I sat down carefully and watched them for a while. Eric was right, I thought: how could creatures like these ever have a human disease?

.

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a fickle food, a shifting plate

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newsham-pub-blyth-acrylic-painting-2009-16-x-16

This is the painting of Newsham. I want to consider it done. But sometimes the hardest thing to do is to leave something alone. I wanted it to be approximate and rough, and I think that’s what it is. But there’s always that temptation to smooth things out, to aim for some sort of illusory verisimilitude or exactness. It’s sometimes so easy to forget that a painting is a painting and that the world isn’t.

I bumped into Jack Verdi in the County Hall car park at Morpeth one day last week. He was sitting side-saddle on the black Ducati, his helmet squatting inscrutably on the tank, his mirrored Aviators gleaming in the sun. He was all in black leather, thinner than a Johnny Spinner. He was smoking and blowing long feathery plumes of blue-grey smoke into the sky, as if he was whistling.

‘Hi, Jack,’ I said. ‘Sorry –  I mean Spider.’

‘Hey, hey, how’s it hangin’, dude?’

‘I’m fine. And you?’

‘I’m good. Just catching a few rays before I go back down.’

‘You need to careful smoking here,’ I said. ‘You’re not supposed to, and you’re bound to be on CCTV.’

‘Ah, CCTV my arse,’ Jack said. ‘They’re my lungs. If they don’t like what I do to them they know what they can do about it, eh?’

‘Yeah,’ I said. ‘They can sack you.’

Jack laughed.

‘Hey, I saw Owen the other day,’ I said. ‘He looked very well. Now there’s a man with clean lungs.’

‘Clean everything,’ Jack said, sarcastically.

‘He doesn’t have any kids, does he?’ I said.

Jack shook his head. ‘No, he doesn’t. That’s probably because he’s never had sex, of course. Sex is dangerous, man. Owen probably thinks it’ll kill him. And you know Owen, man – every time a woman smiles at him he probably sees the face of the Reaper.  I mean, yeah, I know we all do, man, but with him it’s different. Owen’s the kind of guy who thinks he’ll live forever as long as he doesn’t take any chances and swallows a hatful of vitamins every day. Owen sees a pretty face and he’s reaching for the skullcap and wild lettuce.’

‘Maybe if he had kids he’d have a different attitude to life, eh?’ I said.

‘Yeah, maybe he would take a walk on the wild side while he’s still got the legs to do it. He might let himself take a few chances knowing that if he fell into the fire at least he’d have a sprog to carry the flag on for him. Once you’re gone you can’t come back. You’ve got to leave your mark on this place somehow. It’s just like the man says, dude, it’s better to burn out than fade away.’

Jack began to sing: Hey hey, my my, rock and roll can never die. I wanted to ask him if he had any kids, but it didn’t seem the right time. I waved him goodbye and headed off back to the office. I listened to Bill Callaghan’s latest album Sometimes I Wish We Were an Eagle. This might be his best album. He is urbane, controlled, poetic, dark, ironic, intelligent, spare – a classicist of a kind. His song Dress Sexy at My Funeral from an earlier album has long been a favourite of mine.

On Saturday I went out on my mountain bike. I rode around the back streets of Newsham before going out on the tracks over the fields to New Hartley and on along the cycle track from the Avenue to Monkseaton before turning back towards Seaton Sluice. I took the track behind St Mary’s Lighthouse. It was a sunny afternoon, pleasant despite the slightly cold breeze blowing from south east, and the sea was a deep cobalt blue.

My dad looked well. On his new digital television recorder he had recorded a documentary on the string quartet and he played it for me as we talked and I drank my usual glass of pineapple juice and ate my usual quota of chocolate Brazils. I used to have a recording of Beethoven’s late quartets which I liked a lot, but my favourite quartets are probably those by Debussy and Ravel. I have memories locked up in them and those memories are somehow preserved there forever, even though they bleed and drip from them at every listening.

‘Who do you think is the most famous person born in Blyth?’ I said. ‘Not counting the Cloughs, who are obviously famous among Northumbrian pipers.’

My dad shook his head. ‘Blyth has not produced many famous people,’ he said. ‘I can’t think of any artists or writers, can you?’

‘No,’ I said. ‘Has it produced anyone famous.’

‘Clem Stephenson,’ my dad said. ‘He was probably the most famous.’

‘Who was he?’ I asked.

‘Clem Stephenson? You must have heard of him. He played football for England and Aston Villa. He was manager at Huddersfield for years. You must have heard of Clem Stephenson.’

He looked at me as if waiting for it to dawn on me who this man was.

‘No,’ I said. ‘Was he from Blyth?’

‘Whey aye. He was born in New Delaval. Just over the gates from Newsham.’

I shook my head. ‘So when was this?’ I said.

‘Oh, he was born in the century before last. I think he played for Leeds United in the first war. Aye, Clem Stephenson. Your granddad knew him.’

The string quartet documentary was now looking at Bartok’s first quartet. It occurred to me that Bartok had probably written all six of his string quartets during  more or less the same period that Clem Stephenson had followed his career in football. Other than that coincidence there is probably little or no connection between them, of course. I love the dark sorrow of Bartok. I really must go on to Amazon and get myself a recording of his first string quartet.

I rode back to Blyth on the Beach Road, the wind behind me. As I passed the cemetery I thought about Harry Clough again. It’s amazing that a man I hadn’t heard of until a few weeks ago happens to be one of the most famous people this town has ever produced. It was even more amazing that the person my dad reckons is the most famous of them all is someone I hadn’t heard of at all until that day. Fame is obviously a fairly relative concept and not quite as solid as we sometimes think. There are obviously lots of famous people a lot of us have never heard of. ‘Fame is a fickle food – Upon a shifting plate,’ as Emily Dickinson once said.

A few months ago our office cleaner Eric discovered that Owen used to be in Proudlute. Eric watches a lot of Freeview TV and has a magpie’s intelligence. He also does a lot of pub quizzes. It was only a matter of time before Owen’s shiny identity wound up twinkling in Eric’s tattered nest.

‘How, is ya marra that blowk from Proodloot?’ he said to me one day.

‘Do you mean Jack?’ I said.

‘Is he the one who aallways carries a placka bag and wears claes that divvent fit him?’

‘No, that’s Owen,’ I said. ‘Jack’s the one with legs like an arthritic spider.’

‘Aye, whey it’s Owen aa mean. He’s famous, isn’t he?’

‘Well, he’s not Elvis,’ I said. ‘But I guess he used to be reasonably well known among a certain social sub-group.’

‘Aye, like ‘ee was on Top of the Pops, an’ that, waasn’t ‘ee?’

‘Was he? Yes, he might have been.’

‘Whey next time he’s in, man, tip iz the wink so aa can talk tiv him. Aa waant to ask him aboot his records an’ that. Did ‘ee’s band not once tour wi’ the Captain and Tennille?’

‘I’m not sure about that,’ I said. ‘I think they once appeared on a TV show with Basil Brush.’

‘Did the’? Really? Wow!’

For a couple of months now I’ve had more or less this exact same conversation with Eric two or three times every week. He was obviously desperate to meet the famous Owen face to face. Last Wednesday we had our ritual conversation again, at the end of which I told Eric that Owen was in the Lakes this week.

‘D’yuh mean like Ullswaater an’ aall that?’ he said.

‘Yeah, although Owen’s in Keswick, which is a bit further west.’

‘Aye, aa’ve hord of it. Is that the place where that lass mordered them folks wi’ the steamrowler?’

‘No, that was Bowness on Windermere. How do you know about that?’

‘Aa divvent knaa. Ur, aye, wor young ‘un towld iz. I divvent knaa owt aboot it though, ownly that bit aboot the steamrowler. Ur, an’ waasn’t one of aa victims a ginger-heided lass an aall that?’

‘Yes,’ I said. ‘Sharon.’

‘Aye, that waas hor. Anyhoo, next time ya marra’s ower giz a shoot. Aa cannot wait to taalk tiv ‘im.’

Today Eric’s wish was finally granted.  Owen had been over for a meeting about the two Daniels. We were in the corridor talking at about quarter to five when Eric arrived. We were talking about his trip to the Lakes with Heidi. Owen was just telling me about their hike along Friar’s Crag.  He had his bag for life at his side (the contents of which on this occasion I hadn’t enquired into) and was wearing large billowing beige trousers, a very loose white cheesecloth shirt and brown sandals, beneath which he wore pale blue-grey socks.

‘Eric, this is Owen,’ I said, introducing them.

‘Are ye the blowk from Proodloot?’ Eric said, giddy with excitement. ‘Wor young ‘uns got aall ya records. Ya like one of wor heroes, man. We aalways play ya records when we gan doon to the Prymeeaa.  Whaat’s that track again, the one ya famous for? Aw, noo whaat’s it caalled?’ Eric scratched a particular spot on his shaven brown cranium with a rather grubby hooked index finger.

Owen shrugged and smiled, as if he had been in a band with a list of hits too long to remember.

‘Waas it “Softer Than a Caald Crush”? Aye, that waas it. That’s great, that one.’ Eric was genuinely excited.

Owen nodded politely, perhaps as any abashed celebrity might when confronted by a true fan.

‘Yes, that was one of ours,’ he said.

‘How, where’s ya beard? Yuh used t’ hev this geet fuzzy thing on ya fyess, didn’t yuh?!’

Owen chuckled a little and rubbed his jaw with his hand.

‘Yes,’ he said. ‘You’re right, I did. But that hasn’t been there for the past twenty five years at least, my friend.’

‘Ur. Hey, d’yuh ivva see that blonde lass noo, the one in the middle. She wuz the main man, waasn’t she?’

‘Eunice, you mean,’ Owen said, with what looked like a forced smile. ‘The band was a democracy,’ he explained. ‘We had no leader. In fact, Fergus and I were the musicians in the band and we wrote most of the songs.  But, to answer your question, no, I rarely see them nowadays.’

‘Aye, whey, she’s a professor noo, aa think, isn’t she? Doesn’t she teach needlewawk or summick?’

Owen smiled. ‘No, she isn’t a professor,’ he said. ‘However, I think she may have taken a short course in fabric design or something along those lines.’

‘Aye. Aye, whey aa saw hor and ye and that other one the other neit on Channel Fower and aa thowt that’s whaat she sayed.  Anyhoo, she wuz canny, aa thowt.’

‘Was the band on television?’ Owen asked, quite surprised. ‘When was this?’

‘Whey aye,’ Eric said. ‘The other neit. I think it waas a film of yiz at the Sunderland Empire in aboot nineteen siventy three. It was fower and six to get in. Yuh did that Caald Crush one and, er, ah think that Hormin’s Hormits’ song yuh covered. Whaat waz it again? Ye sang it an’ that lass sang alang wi’ yuh. Er, aye, it wuz “Tha’s a Kind of Hush Aall Ower the Wawld”, that one. Hey, ye were a bit like that Peter Noone gadgie, warn’t yuh?  Did yuh model yasel’ on him?’

Owen shook his head, as if something unwelcome had just landed in his hair. ‘No, of course not. Not at all. No, what we did was nothing like their stuff. They were just a pop group.’

‘Aye. Aye, whey were ye not a pop group as weell, like? Whaat d’yuh caall the sort of stuff ye did?’

‘I think we saw ourselves as folk artists,’ Owen explained. ‘In the tradition of artists like the Simon and Garfunkel and . . . ‘

Eric interrupted him, his hooked index finger in the air, like something out of Peter Pan. ‘Aye, yuh did one of their songs as weell! Whaat waas it again? Aye, it wuz “Bridge Ower Troubled Waater.”  Aye, yuh did a canny job of that one. That other gadgie and the blonde lass sang mostly on that one like. Aye, the’ were canny.’

For a few moments Eric stood as still as a standing stone, as if all neurological activity had been inexplicably suspended. He reminded me somehow of a pirate, Captain Pugwash perhaps. Suddenly, just as inexpicably, the neurons fired up again.

‘So is that whaat the other blowk was caalled, Forgus?’ he asked.

‘Yes, Fergus. Fergus and Eunice are married.’

‘Are the’? So waas he knockin’ hor off when ‘ee were in the band as weell?’

‘They had a relationship, yes,’ Owen said, obviously not especially comfortable with some of the moral and cultural aspects of Eric’s discourse.

‘Anyhow, Eric,’ he said. ‘It’s really nice to meet you. Do you think that programme will ever be repeated on Channel Four?’

‘Whey aye,’ Eric said. ‘The’ repeat ivrything aboot thorty times. Aa’ll tip yuh the wink next time the’ put it on, if yuh waant iz tee.’

‘Yes, that would very kind of you,’ Owen said. ‘Anyhow, I really must hurry along now or I’ll miss my bus. Take care, Eric.’

‘Aye, aa will. Ye gan canny as weell.’

Owen shuffled off down the corridor and out into the car park. Eric stood as still and shapeless as an Anthony Gormley sculpture. He looked gobsmacked.

‘So there you go, Eric,’ I said. ‘You’ve met the man at last.’

‘Aye,’ he said. ‘Aa knaa. Just wait till aa tell wor young ‘un. Ee’ll nivva believe it.’

It was raining lightly as I drove home, the first rain we’ve had for many days. The light was soft, saturated and grey. I listened to Radio Four. Much of it was about the Swine Flu. What price a ticket to Acapulco now, I wondered. As I walked up the garden path beneath the starry spring green chickweed canopy of the silver birch, I noticed De Kooning sitting on the windowsill. He stood up and stretched when he saw me. As I entered the house he ran up to me. I picked him up and we went to the conservatory where for a few moments we listened to the almost invisible quiet rain falling on the glass.

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tallulah and the good catastrophe

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newsham-hotel-christmas

It looks like Debs will be off sick for a few months. Earlier this week I held an emergency meeting with the whole team to talk about redistributing her cases.

‘How do you want to do this?’ I said. ‘Do you want me to decide who gets what or should I just throw all the names into a hat and let you take turns picking one? Or do you want to discuss them one by one and see who’s interested?’

They decided that I should decide. I divided the couple of dozen most serious cases on Debs’ caseload between the five workers left standing. Angie copped for Mandy Potts, who as it happened turned up just as the meeting ended. She had Apple and Sparky with her. Mr Zee wasn’t with her. Mandy was upset.

‘Seems like a good time to introduce yourself,’ I said to Angie.

‘Oh, isn’t her weird boyfriend with her?’ Angie said. ‘I was looking forward to meeting him. I like young men in uniforms.’

‘A Zorro outfit’s hardly a uniform, Ange,’ Lily said.

‘Isn’t it?’ Angie pulled her pondering face, and wandered off to meet Mandy and the kids.

‘What’s up?’ Lily asked, when Angie came back along.

‘They’re going to make Mr Zee get a job. The dole’s on his back. Mandy doesn’t want him to because she’s scared that if she’s on her own Flinty will come to her door.’

‘She has a point,’ Lily said. ‘But it’s not a point the dole will take.’

‘No, they won’t,’ Angie said. ‘He’s down there now and he thinks they’re going to send him for an interview.’

‘He should go,’ Lily said. ‘No-one’s going to give a job to a man dressed as Zorro, are they?’

‘Well, that’s the other thing,’ Angie said. ‘Mr Zee isn’t prepared to not dress the way he does. He thinks he has a human right to do so, like Christians wearing crucifixes and Muslims wearing the veil.’

‘Another good point,’ Lily said. ‘But again, not one the dole will buy.’

‘No, they won’t,’ Angie said. ‘They’ve suggested he may need to take work at MacDonald’s.’

‘Oh my God,’ Michelle said. ‘Can you image that, Zorro appearing in the drive-thru window! Imagine asking Zorro for a couple of  Happy Meals and a regular Coke!’

‘It could bring them business!’ Lily said, chuckling to herself as she tried to get on with inputting stuff on to the computer. ‘It’s a shame MacDonald’s aren’t likely to think the same.’

‘Mandy thinks that Mr Zee will leave her and return to Newcastle if they force him to take a job where he can’t continue to dress the way he does.’

‘That surprises me,’ Lily said. ‘I always had the impression from Debs that he’s really committed to Mandy and the kids. Things will fall apart if he does leave, that’s a certainty. Mandy will never cope without him.’

‘Bloody men!’ Angie said. ‘Is there a single one out there that isn’t a complete waste of space?!’

It snowed on Thursday. I sat in the team room for a while first thing going through the post and listening to the team talking about the BBC documentary on the Shannon Matthews case which had been on the previous night. Fairy tale explanations are the bedrock of the world according to the popular media, and on this occasion the police seem especially ready to give the story the right slant by stating that this girl’s mother was ‘pure evil’. Here we have The Cruel Mother. ‘I thought that police officer was about the tell us the story of Hansel and Gretel or something,’ I heard Angie say. The police are hardly more self-aware or enlightening as social narrators than The Sun or The Daily Mail. It is within the terms of the crude and narrow narratives the popular media constructs that the identities and aspirations of their audience will to a significant extent arise. Karen Matthews, who no doubt is a person who came to see herself in the terms of those narratives, was and is stupid, dysfunctional, misguided, and inadequate. But this description could equally as well be applied to the police themselves who had four hundred officers in the area for almost a month and failed to find a child who all the time was under their very noses. The same could also be said for the troops of journalists who traipsed around the area 24 hours a day for the same period. And now they’re blaming social workers for not seeing this coming two years earlier. Lily wondered when we would get our crystal balls.

‘It’s a pity Shannon didn’t think of dropping pieces of bread as a trail to her wicked uncle’s house, isn’t it?’ Angie said. ‘That’s always the thing to look for in a case like this.’

I went upstairs. About mid morning I was sitting up in my office looking out over the car park watching the white stuff falling hypnotically, like a weird quiet currency being repaid to the world. Nature has a fascinating economy. A pale blue Favorit slithered into the car park. It was Jack Verdi. He got out and pulled the collar of his black reefer jacket up around his face. He was wearing his Ray-Bans. His long grey hair was tied back in a pony tail by what looked like a red elastic band. In his pale desert boots he gingerly made his way across the snow into the office. He brought to mind something vaguely Russian, maybe someone from a Gogol story. He’d come for a meeting with Debs and forgotten she was off. He asked if I was free and came upstairs for a chat.

‘Hi, Jack,’ I said when he came into my room. ‘How’s tricks?’  He shook my hand. As he leant forward to do so I briefly caught sight of his pale blue eyes peering out over his sunglasses.

‘Hey, I’m not so bad, mate. Bloody awful weather though.’

I looked out of the window and nodded.

‘Actually I like the snow,’ I said.

‘Aye,’ Jack said, ‘to look at, but not to drive in!’

I made him a cup of tea and for a while we talked about music, as we always do. He always asks me who I’m listening to as a preamble to him telling me what I might want to try instead. On this occasion I swapped him Teddy Thompson and Josh Ritter for a classic album from Jefferson Airplane and Neil Young’s Live at Canterbury House 1968,  Sugar Mountain album.

‘Hey, that was quite a performance you gave at Rosie’s leaving do,’ I said, finally mentioning the elephant in the room. ‘Man, you certainly blew them away that night!’

Jack shook his head and looked down into his lap. ‘Yeah, well, maybe. I just wish I’d stuck to bloody well playing the piano, as I was supposed to do.’

‘Yeah, me too,’ I said. ‘Banging out Chas and Dave numbers in a room so thick with the reek of HRT isn’t exactly my bag either.’

He laughed. But he had something more on his mind, and I thought I knew what it was.

‘Hey, Jack,’ I said, ‘I’d just let it go if I were you. Most people will already have forgotten about it, you know how they are. You’re the only person who’s thinking about now.’

‘Oh yeah, yeah, I know that,’ he said. ‘No, it’s not that, it’s what it’s telling me about me that bothers me. I’m becoming desperate. I can’t seem to let myself ever be anything but young. You know why I did that? Because I’m scared to death of getting old. I’ve seen this happen to other guys, guys who I was once in bands with. I’m starting to do what they’ve done and make a bloody fool of myself.’

‘Well, as they say, if you recognise a problem you’re half way there to solving it.’

‘Yeah, but how do you solve the problems of decrepitude and death?’

I laughed. I wanted this conversation to remain light. ‘Euthanasia’s good,’ I said. ‘I’ve already booked myself a one-way ticket to Switzerland.’

‘I don’t want to go,’ Jack said, shaking his head.

‘You don’t want to go to Switzerland, Jack? Compact land-locked mid European country? Bankers, watchmakers, Toblerone, Heidi, St Moritz, lots of big snowy mountains? It’s the sort of place where there’s never any litter and they don’t ever have to think about Asbo’s. Switzerland’s not such a bad place, Jack.’

‘I don’t mean I don’t want to go to Switzerland, man.  No, I mean I don’t want a die. At least not yet. I’ve still got some good times left in me. The problem really is that the rest of the world is starting to disregard me. It’s as if as you get older there’s a quiet conspiracy to exclude you from things. It starts when you’re about thirty. The world begins to tell you that you can’t do that. And do you know why it says that? It says it because it embarrasses them if you do. They just don’t want you around. They discard you, like you’re an old-fashioned appliance of some sort. I don’t buy it, mate. There’s some stuff I’m just not ready to say goodbye to.’

‘Like good old rock and roll, eh?’

‘Well, yeah, but not just that.’ His Aviators looked straight at me and for a moment or two he paused. ‘You read poetry, right?’ he said.

I said I did sometimes, yes.

‘You know I’m into Keats, don’t you? Yeah? Okay, can I show you something? It’s like a modern take on something he wrote. I’d be interested to know what your response to it is.’

He bent over and unbuckled his brown leather satchel bag. He took out a couple of sheets of A4 and handed them to me

‘You’ll know the original,’ he said. ‘It’s La Belle Dame Sans Merci.’

I.

O what’s bothering you now, my bonny lad,
Alone and palely loitering?    
Has thy assessment slithered into the sink?            
Are you waiting for the telephone to ring?
  
           
II.
 
O what can ail thee, fostering man!            
So flushed and so woe-begone?          
The question from the Chair was crass,         
The Police Checks were never done.
   
    
III.
 
I see a cloud across thy face          
Your reviews are all long over due,            
And in thy diary a fading date         
When your anxious manager last hounded you.
  
         
IV.
 
I met a damsel in the tearoom,         
Full beautiful-an Ashington child,             
Her hair was red, her foot was light,          
And her laughter was quite wild.
 
              
V.
 
I bought a cosy for her napper         
And sent her a text from my mobile phone;              
She texted me back and asked me to sing        
‘Will you give this little dog a bone.’    
    
VI.
 
I sat her in my Skoda’s front seat             
And put Crosby, Stills and Nash on,            
I whizzed her around the slippery bends        
Till all her lingering doubts were gone.
  
             
VII.
 
She bought me bags of morish sweets,           
And Honey Tunes and herbal tea,        
And then in an accent strange she said-        
“Bonny lad, aa’ve got the hots for ye.”  
      
VIII.
 
She took me to her terraced grotto,            
And swept the sawdust from her floor,          
And I gazed into her wild wild eyes            
Until my heart could take no more.
 
            
IX.

 

And with a tambourine she lulled me asleep,            
And I dreamt I heard a terrible din            
‘Twas the scariest dream I ever did dream,             
I dreamt I was trapped inside her bin.

X.

I saw pale ploughmen, businessmen too,
Old heartthrobs, death-pale as if without feelings;
They cried-“The Bonny Lass Without Pity
Has dumped us amang her peelings!”
 

XI.

I saw their starved lips in the garbage
With horrid warnings gaping wide,
And I awoke and found me dumped,
With another old scratter at my side.
 

XII.

And this is why I sojourn here,
Alone and palely loitering,
My assessments all soggy in the sink,
And my mobile phone not ringing.

 

After I’d finished reading it I said nothing for maybe a minute or so. Nor did Jack.

‘Okay,’ I said. ‘This is, er, interesting.’

Jack looked at me. He wanted more than just, er, interesting.

‘Hey, Jack,’ I said. ‘What do you want me to say here? How I’d feel if I was the woman you wrote this for?’

‘It shows, then?’

‘Yeah, Jack, it shows. It’s about Tallulah, right?’

He nodded slowly.

‘So,’ I said, tentatively, ‘have you and her got a thing going on, or what?’

‘No,’ he said. ‘That’s just tittle tattle. Emma Pope started that rumour as a put down to me.’

‘But you would like to have something going on with her, yeah?’

He nodded, safe behind his sunglasses. ‘Yeah.’

‘And? . . .And? . . . And what? You think she’s too young for you?’

‘No,’ he said. ‘Not at all. What bothers me is that she’ll think I’m too old for her.’

‘She’s not a kid, Jack. She must be well into her thirties now. What are you saying, that she’s shallow?’

‘No, she’s definitely not shallow,’ Jack said, almost indignantly. ‘She’s a woman with deceptive subtlety and depth. She’s like a great river and her complexion is forever changing as she makes her course through her days. Sometimes she’s wild and tempestuous, sometimes she trickles and gurgles, but sometimes she’s quiet and still and just so damned profound. No, she’s not shallow, man, but I’ve got twenty years on her, and she knows it.’

I nodded. I almost smiled. I looked at the poem again.

‘This dustbin metaphor,’ I said. ‘That’s serious, right, a deep concern hidden behind a daft joke?’

‘Yeah,’ he said. ‘Exactly. What bothers me is that even if I got something off the ground with Tallulah she’d pretty soon dump me for a younger model.  She has a bit of a reputation for chewing guys up and spitting them out.’

‘And the bin, that’s the bin of decrepitude, yeah?  It’s a bin you fear that once she dumps you in you’ll be in for the rest of your days?’

‘It’s more than that,’ Jack said. ‘It’s a bin I fear I’m already in. Not because I want to be there or because I’m really need to be. It’s just the bin the rest of the world has put me in. It ‘s like that Yeats line, isn’t it,  the one about old age being tied to you like a tin can to a dog’s tail. It stinks, man!’

‘And the bonny lass without pity, that’s not just Tallulah, is it? She’s society too, isn’t she, and young mistress Time herself. This bonny lass is The Reaper.’ A picture of Tallulah Hudspith wielding a giant scythe crossed my mind. It was an image from a Tarot card.

‘Yeah, something like that, I guess,’ Jack said.

‘You know what I’d do if I were you, Jack? I’d go for it. What’s the worst that can happen – you don’t get the gig. Or if you do you don’t get booked for a second night. But hey, Jack, for you this might just be the gig to end all gigs. One night with Tallulah might be your Madison Square Garden moment, the one gig you’ll never forget!’

Jack stood up. He very deliberately buttoned up his black reefer jacket. He smiled quietly and flicked his pony tail back over his collar. It was indeed a red elastic band holding it together.

‘Carpe diem, eh, man? I kinda knew that would be your take on it. Thanks, man. It helped.’

Jack picked up his brown satchel and slung it over his shoulder. ‘Hey, and one more thing, eh? This conversation we’ve had, strictly between me and you, right?’

‘Yeah, of course, Jack,’ I said. ‘Between me, you and the gatepost.’

He smiled and shook my hand again. I walked along the landing with him. As he was making his way down the stairs he turned and asked me if I knew Warren Zevon’s stuff.

‘Yeah,’ I said. ‘He’s good.’

‘He wrote a song called I’ll Sleep When I’m Dead,’ Jack said. ‘Give it a listen some time.’

‘I will’ I said. ‘But isn’t poor old Warren now fast asleep himself?’

‘He is, man. But what a way to hit the mattress, eh?!’

I laughed. Jack left. The snow had turned to rain.

When I got home I had a quick pizza and then put my boots on to go for a walk. It was turning cold and the slushy snow was beginning to freeze into crusty waves. I walked along Broadway and then on as far as the Thoroton Hotel. I went up Marlow Street and cut through past the sports centre and over on to Newsham Road. I walked up into Newsham and down Winship Street past the site of the Big Club, which is still fenced off but now completely razed. At the roundabout I stood for a moment or two and looked at the strings of Christmas lights slung above the road. I then made my way back down Plessey Road. In the last few days a lot more Christmas lights have appeared on houses and a lot more Christmas trees in their windows, but Christmas still seems slightly reluctant to appear this year, even though the Angel Alistair and the Good St Gordon from every television in the land sing, ‘Spend, Spend, Spend!’

‘Spend what?!’ the world sings back.

When I got back home Brenda was there again, gathering more slippers into boxes to take away for dispatch.

‘Hi, Brenda,’ I said. ‘How’s business?’

‘Brisk!’ she replied. ‘Surprisingly so. Things have really picked up in the past few days.’

‘Well, you can never go far wrong with slippers at Christmas, can you?’

‘Yes, I think you’re right. Folks may not have much money this year, but everyone can afford a good old fashioned pair of slippers, can’t they?’

Brenda didn’t have her Auguries of Innocence cardie on that day. She had a sort of long very expensive looking camel-coloured wrap around coat. She was also wearing green knee high leather boots with big shiny silver buckles on them, and out of the collar of her coat the leafy frills of a spring green blouse of some sort erupted. She also wore a coffee-coloured knitted hat of some kind, a one with a peak and a small chocolate brown button on the crown, the sort of hat that reminds me vaguely of Barbra Streisand. For a moment it crossed my mind that Brenda looked rather like a tortilla wrap.  

‘So what’s Tristan getting you for Christmas?’ I asked.

‘Oh I don’t know that!’ she replied. ‘That would take all the fun out of it. I like surprises.’

‘But there must be something you hope he gets you.’

‘Oh well, yes, of course. What I’m hoping for is a Matthew Williams Chapelle weave coat and some Jimmy Choo Erica ankle boots, as well as some lovely smellies and maybe some nice stocking fillers, such as earrings and brooches and choccies and things. Just lots of lovely lovely delicious surprises really. I’ve pointed Tristan in the direction of net-a-porter.com and I know for certain that he’s looked.  I’m quite excited really. But what about you? What do you want for Christmas?’

I paused for a moment, as if taking thought. ‘The emancipation of the working class, I think,’ I said, very calmly and seriously. ‘Yes, that definitely. That and world peace.’

Brenda nodded her head approvingly. ‘That’s just such a beautiful wish,’ she said. ‘Yes, of course, you’re absolutely right. It is the spiritual aspect of Christmas that really matters, not all the shopping and materialism. And in any case it really is better to give than to receive. You know, I don’t really care what anyone gets me actually. Christmas is just such a special time of year. Just be close to someone you care about and to know they’re there, that’s all any of us really needs.’

So I’ll tell Tristan to just send you a note and prod you from time to time then, I thought. I know what great joy and cheer that will bring.

‘So what are you getting Tristan?’ I asked.

‘An electric screwdriver set.’ Brenda replied. ‘I saw one at B & Q. It was such a good buy and it will be all he’ll ever need. He’s always saying how much he wished he had one.’

‘That’s nice, Brenda,’ I said. ‘If you’ve got to spend then a practical gift is always the way to go, I think.’

Lucky Tristan, I thought. But of course I’m sure Brenda will get a huge amount of pleasure from giving Tristan his electric screwdriver set.

‘Oh, but what do presents matter?’ Brenda said. ‘Christmas really is first and foremost a spiritual time, a time to think of others. As you said, a time for peace and love. Material things are such a terrible distraction sometimes, aren’t they?’

For a moment I wanted to ask her what the word ‘spiritual’ meant. But I thought better of it. In any case I think I already know how spiritual Brenda is: she’s about as spiritual as a checkout till. She has exactly the sort of spirituality the Angel Alistair wishes we all had this year.

‘Do you know anything about the Tarot, Brenda?’ I said, changing the subject. It was like asking a seagull if it knew about fish heads.

‘Yes, of course,’ she replied, becoming animated. ‘Do you want me to do a reading for you?’

‘No, not really,’ I said. ‘But thank you for the offer. No, I was wondering about one of the cards and what it means.’

‘Which one?’ Brenda said, always ready to share her esoteric knowledge with the curious.

‘The one with the reaper on’ I said. ‘Is it called the Tallulah?’

‘The Tallulah?’ Brenda said, screwing up her face. ‘The Tallulah? The Tallulah’s not a Tarot card. No, no. No, the card you’re describing is the Death card.’

‘Oh,’ I said. ‘The Death card. So there’s not an expression which is like “turning the Tallulah” or something like that?’

‘No,’ Brenda said, a little sharply. ‘No, there isn’t. The reaper is on the Death card.’

‘And if that card turned up for you it would be bad news, right?’

‘No, not necessarily,’ Brenda said. ‘That’s a common misconception. The Death card does not necessarily signify death. But it does signify that major change will occur in your life. Catastrophic change, in fact, but not necessarily for the worse.’

So, I thought to myself, turning the Tallulah foretells catastrophe. But not necessarily a bad catastrophe. The idea of a good catastrophe appealed to me. This was an idea it would be good for Jack to know about.

‘So have you ever done a reading for anyone when the Death card has turned up?’

‘Oh, yes, of course,’ Brenda replied. ‘Many times.’

‘And are any of those people still alive?’ I asked.

‘Yes, so far as I know, they all are.’

‘But they will have all encountered a catastrophe by now, yes?’

Brenda had rumbled my game a while ago of course. She was prepared to play along no longer.

‘You should stop taking the mick,’ she said. ‘You know, many people have been helped to make important decisions in their lives through the Tarot. Just because you think it’s nonsense, doesn’t mean it is nonsense, you know.’

I nodded. She was right of course. I began to wonder about making a catastrophic decision, or rather, making a decision to have a catastrophe in your life. It seemed to me that since the future can’t really be foretold, this must be the way the Tarot works. The cards suggest that decisions of a certain kind should be made. It sets an agenda in someone’s mind. Decisions are then made according to the cards’ suggestions and hey presto – the cards appear to have done what cards never can and to have foretold the future. The classic self-fulfilling prophecy. Perhaps most divination works in exactly the same way. The effect is that you take active responsibility for your own future but that by some sleight of hand you can always say that whatever happens was bound to be, that it was written in the cards.

I wandered through to the conservatory. De Kooning was sitting on the windowsill, looking out into the dark where the snow had fallen among the gaping spaces of the Citadel. Sometimes I think I’m too passive about the future. It’s not something I get a hold of and try to make for myself. Maybe it’s that working class thing. Maybe it’s something else. I just seem to be happy to sit and watch the river flow by. I could dip my foot in, I know that. Maybe I fear a catastrophe if I do. Maybe I think I might turn the Tallulah if I get my feet wet.

I wondered if I should get a Tarot pack and do a reading for De Kooning. I know of course that this sort of stuff doesn’t work for cats. Cats sit on life’s windowsill and sing Que Sera Sera. They sing it nine times over.

.